Thursday, November 27, 2014

The Hunger Games: Mockingjay: Part One 11/27/14

Happy Thanksgiving everyone!


Catching Fire stands as once of the most pleasant surprises of last year. It took the frantic, wild pacing and photography of the first Hunger Games film and pulled it in to the point where it was confident and collected. The action was wild, yet framed in such a way that you could understand it, unlike the extreme shakycam utilized in the first film. The character drama felt more grounded, and easier to relate to. The use of IMAX cameras gave the move a grand feeling that few current films can replicate - everything about this movie felt like a breath of fresh air for the young adult movie adaptations. So, the question is, how do you follow up such a spectacle?

The answer is, of course, you don't. As with the book it is sourced from, Mockingjay kind of pulls a 180 in terms of its pacing, character drama, and sense of confidence. This doesn't mean its disappointing, but it never quite lives up to the expectations set by its older siblings. Instead of dropping us into the washed out greys of District 12, we're thrown into the warm oranges of the underground District 13 as our favorite heroin is built into the vision of a revolution. Most of the film is staged underground in a restricted area, and in the same way the film feels a bit restrained itself.

The story is still centered around Katniss, as she grapples with the post-Quarter Quell events in Panem. Revolution is spreading through the districts, and war has essentially broken out. People are fighting back against their aggressive oppressors, and the leaders of District 13 want to use Katniss to fan the flames of the war. They intend to use her as a piece of propaganda, an idea that she doesn't want to quietly slip into. She eventually does, and sets out on a course to incite rebellion, and save the friends that she lost in the climax of the previous movie.

What Hunger Games and Catching Fire did best was show off their extravagant action scenes, something that I felt Mockingjay sorely lacked. I get that perhaps they're saving the best for last, but they've stripped part 1 of the soul that it needed to be a little more interesting. I mean, the entire first act of the movie centers around Katniss kind of wandering through District 13 life, being sad and distressed. She kind of just meanders, and the film feels lifeless - perhaps in part of the fact that Jennifer Lawrence's sad faces are so over the top that I couldn't help but chuckle at her performance. That being said, once she rises to her role as the "Mockingjay," the film dumps all of the baggage that it carried in its first act, and injects some much needed humor and action just in time to save the last 2/3s of the film. A scene that stands out most in my mind is a humorous back and forth between the late Phillip Seymour Hoffman's Plutarch Heavensbee and Katniss over production of a propaganda video that is most amusing.

If you can live with the fact that the first third of the movie is kind of dreary, and a little melodramatic at times, then you will go on to enjoy the last two thirds. There are some excellent action sequences, if a little brief, and some excellent back and forth drama between characters that really picks up the movie and saves it. I'm only hoping that they bring out the big guns for part 2, and end the series on a high note - I'm hoping for grand action sequences, and a satisfying end to the Hunger Games series.

As it stands, Mockingjay Part 1 is by far the weakest of the three films out so far, so I'm hoping its second half is far superior. They set the bar a little low this time around, so they can really only climb back up from here. 

Wednesday, November 12, 2014

The Interstellar Journey - To My Friends 11/13/14

I talk a lot of bullshit. Like, to the point where I'm surprised my friends haven't gotten bored and walked away from me. I go nuts over terms like anamorphic(which my suitemate likes to poke fun at to this day, not sure why,) 70mm film, Super 35mm photography, digital color timing. Stuff like that. Stuff that, even though I pick up on all these things because I've fallen deeply in love with the way movies were made, they haven't. I mean, I pick apart movies, and get so into them that, on many occasions, they, deeply aggravated, have told me to shut the fuck up.

So, it came as a surprise to me, that when Imax announced the locations that were running Interstellar in 15/70mm Imax, and that the closest theater playing it was, at that time, Toronto(a three hour drive,) that they told me to go there. They told me to plan a trip around this singular event, a concept I found ridiculous at the time, and a concept that still seems kind of odd to me today. These guys never seemed to give a damn about any of this stuff before, but, for my sake, they were willing to give up an entire Saturday just so I'd be happy. And to me, this meant so much, more than words can honestly describe. It would have crushed me to miss what is most likely the last Imax 15/70mm presentation. Ever. They will probably never, ever do this again. They recognized this, and decided to support me in my foolish crusade to go see a movie.

It feels the same way, now that I know there's a 70mm Imax print here in Rochester, to know that they're still coming with me. It would have been neat to visit Toronto, seeing as I haven't been there in recent memory, but seeing it in my favorite place in the whole city of Rochester - Tinseltown, means so much more to me. It will allow me to convey the joy that I felt dragging everyone to see The Dark Knight Rises back in 2012 one more time. It will allow me to share the joy that I get from obscure terms like anamorphic, and 15 perforation film with them, and perhaps afterwards, they might feel the same way.

Interstellar's 70mm Imax run here in Rochester might be the last time I ever get to see Kodak film, the stuff my father helped perfect until February of this year, on the big screen. It will probably be the last time I ever get to see the good stuff, the best of the best, as Imax has pretty much torn out all of their film projectors and replaced them with digital projection equipment. It was inevitable - the movie guys found something better in digital, so I guess this will soon be an era only known in memories, a time that's soon to be gone with the wind. That makes me awfully sad.

What doesn't however, is the fact that all of my friends from all my different circles are coming with me to see this movie. People always have these ridiculous stories about the crazy things they did in college that they'll never forget. For me, this will be that story. I know, it won't be nearly as entertaining on playback, and it probably won't impress my kids or the people I come across someday in the future, but I will never, ever forget this. This movie was merely a movie before, regardless of how I saw it, but now its a memory. I haven't even seen the damn thing yet, but I know its gunna be good. And I know you'll be there with me, and that makes me happy in a way that I can't quite put into words.